Narrative Warfare
Narrative Warfare is a type of Hedge-Betting or Playing-by-the-Numbers that posits that stories are the things that humans truly remember , so it is more important to win battles over things like names than it is to cover territory .
We are seeing this most prominently in the Russian assaults on BaKhMut, Av-Dih-vka, and Lo-Hansk , whose names correspond to Kh, Dh, and Lo , in LoHa mythology .
To a person who is not invested at all in the land itself , it is meaningless to send hundreds of thousands of humans into a meat grinder in order to create a stain on that name that will annihilate them from existence at what they consider to be the most fundamental level .
Victory in Bakhmut
Refusal to yeild in the face of excessive military casualties , and sustained support with Nato·s backing , has led to Vagner withdrawing from Bakhmut .
As we can see in the above video , the RSI [Residual Self Image] of "Davvol" is clearly visible . This would be performed using a Consciousness Polyplexer , as we have detailed previously before .
And then , as we are seeing , to tell the Yacht-bound Vampiric Oligarchs to leave the land , in order to dump the husk of Rus in the Hinterlands and move on to some tropic or burough , and then to use a Planar Overlay to take over the nations putting in the work actively combatting them .
Unfortunately , the Kremlin·s choice to spray fire all over Bakhmut was an attempt to line the invasion up to the Rape of Persephone .
Is it in? . Wait , why·s my bakh all sticky? . Did yu cum already? .
Alternate Win Conditions
We can·t always assume the enemy is going to have the same goals as we will . America wanted a One Good War for Vietnam , they got traps, guerillas, and the Viet Cong , because the Vietnamese didn·t want a bout of Good Old Boy , they wanted their land back . Russia , on the other hand , cares nothing about the land itself , what they want is an Ascension Vehicle to live forever in narrative .
One of the most prevalent details of the Battle for Ukraine has been that Fancy Bear and the Russian hacking operation saw to it that Vladimir·s face was plastered to as many videos as possible . To the Russians , occupying yr mental space was as important as occupying physical land , and furthermore , a Theater where they met little to no resistance in this regard . Conversely , the Closed Captioning was also hacked , so that it is incapable of writing Bakhmut . There are dozens of variations , Bakmat, Bhagmoot, Batman, Back Room, every possible combination of letters that does not yeild Bakhmut . Other cities , like Zaphorizhzhia or Lohansk , do not seem to have this problem .
In the local urban Grid for stony Canada , we·ve been seeing unfathomable outcroppings of the same five or six character RSIs , with the most egregious being the Kremlin himself , the one we call Davvol , who not only overlays his aura over others but does it so very loudly somehow , in this way that somehow gravitates the eye towards . Refusal to pay attention has yeilded progressively louder and louder displays , as if being seen thru the physical eyes of the arbiter were more important than sitting in the actual War Room . For what reason this might be the case , one can only speculate .
Other Instances
This phenomenon can also be seen in the Doomsday Clock , where we have demonstrably already reached the demarcation line between the Age of Enduring Aeons and the Cybernetic Age , as evidenced by the fact that the phenomena we are seeing is the result of multiple systemic crashes at every level of the command structure from Stargate to Municipal Infrastructure , yet the scientists do not want to close the gap on the remaining 90 seconds because it would indicate a Symbolic shift in the Narrative Public .
Strategies typical of the hierological figure known as Ozma include "Because of the Name" and "In Order to Align" . In Because of the Name , politicians, bishops, or generals are selected strictly because their name fits a strategic objective when read on paper . In In Order To Align , priority is allocated based on whether the scene lines up in a particular way (if yu have been paying attention to the Rutting HellHound problem) . At its most excruciating degree , when hooked up to one or more Threat Decks , In Order To Align is capable of producing scenes that take up whole rooms of humans and have them all clicking to grid in ways that can be deliberately distracting or even traumatizing .
In both cases , strictest-possible adherence either causes infrastructure decay or opens up avenues for undesired overdrivers to insinuate themselves into the infrastructure for purposes of sabotage .
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